THE POWER OF ORAL TRADITION: OBA KILADEJO ON THE ROLE OF WOMEN IN ONDO HISTORY By Toyin Falola Introduction As always, the Toyin Falola Interviews is
By Toyin Falola The aesthetics of performance as a dynamic process has proven its ability to create, re-create, reflect, refract, and re-present the sociocultural identities of the society. It cannot
By Toyin Falola Since its inception, the works of literature that have emanated from the African scenery have been known to be art for life’s sake (utilitarian function), antithetical to
Rowland Abiodun is John C. Newton Professor of Art, the History of Art, and Black Studies at Amherst College, Amherst, Massachusetts, USA. He is the author of Yoruba Art and
Kabiyesi Alayeluwa, Dr. Victor Adesimbo Kiladejo: The exceptional King of Ondo Kingdom By Toyin Falola Since time immemorial, wonderful things have been spoken about people who have
By Toyin Falola Baba Omokewu is a community drama text riddled with variations of different languages that inadvertently contribute to different layers of meaning. On the surface level, the
By Olayinka Oyegbile Nobody is going to give you anything. You’ve got to go out and fight for it. Nobody knows what you want except you, and nobody
By Toyin Falola At the end of the “hustle-bustle” and serenade hullabaloo witnessed in George Orwell’s classical fantasy, Animal Farm, about social relevance, position, and status of animals compared
The Kano State Hisbah Board has banned the use of mannequins mostly used by tailors, supermarkets and boutique owners to display clothes. The Commander-General of the board, Shaikh Harun Ibn
African Universities and African Future: The Meeting Point PART A THE INTERVIEW (Unedited Transcript) What do you see as the major challenges and opportunities facing African universities? Based on
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